AI 비디오 작업 공간

Bullet time effect. A businessman in white shirt and black tie slipping and falling backwards on icy wet street in Wall Street, New York. Coffee cup standing on ground, liquid exploding outward frozen in mid-air. Ice chunks, water droplets, and coffee splash all completely suspended — time is frozen. Tall buildings on both sides creating a canyon effect. Camera smoothly orbits 360 degrees around the falling man at low ground level angle, only the camera moves while everything else remains perfectly still. Cinematic, overcast dramatic lighting, wide angle lens distortion.

D Cute Adventure Story A stylized 3D animated fantasy adventure with a cute brave young explorer, big expressive eyes, small backpack, colorful outfit, magical forest environment, playful cinematic lighting, high-quality 3D animation, charming family-friendly tone, exciting action, clear storytelling, dynamic framing, cute but epic mood, hard cuts only, no fade, no dissolve, no morph transition Shot 1: Wide shot of a cute young adventurer entering an enchanted forest, glowing plants, floating fireflies, curious expression Cut to Shot 2: The hero finds an old treasure map glowing on a stone altar, eyes lighting up with excitement Cut to Shot 3: Medium shot of the hero running through the forest, jumping over roots and ducking under branches Cut to Shot 4: The hero arrives at a mysterious cave hidden behind vines, golden light glowing from inside Cut to Shot 5: Inside the cave, a funny but dangerous witch appears in a swirl of green magic, blocking the treasure chest Cut to Shot 6: Action shot, the hero dodges a magical spell and uses a glowing crystal slingshot or magic charm to fight back Cut to Shot 7: The witch is defeated in a burst of sparkles, her broom spinning away harmlessly Cut to Shot 8: The hero opens the treasure chest and finds a glowing magical gem and piles of gold Cut to Shot 9: Final heroic shot of the cute adventurer holding the treasure proudly at the cave entrance as sunlight breaks through the trees

Storyboard – Faceless Product Demo (9:16 Vertical, 10 Seconds, 8 Scenes) Create a clean, premium 8-scene faceless storyboard for a modern kitchen cookware product demo. The layout should resemble a professional production storyboard with a white background, clear scene boxes, production notes, and camera details. Display the product name at the top with a hero image, feature highlights, duration, aspect ratio (9:16), and total scenes. Scene 1 – Product Overview The cookware is placed on a wooden board in a bright modern kitchen with its packaging behind it. Clean product reveal, minimal styling. Action: Introduce the product. Camera: 45° close-up. Lighting: Natural window light. Audio: Voice-over + soft background music. Scene 2 – Premium Coating Extreme macro shot showing the premium granite/ceramic non-stick interior texture with soft reflections. Action: Highlight the premium coating. Camera: Macro close-up. Lighting: Soft natural light. Audio: Voice-over. Scene 3 – Non-Stick Demonstration A fried egg slides effortlessly across the pan using a silicone spatula, emphasizing the non-stick surface. Action: Demonstrate non-stick performance. Camera: Close-up. Lighting: Bright kitchen lighting. Audio: Voice-over + subtle cooking SFX. Scene 4 – Wooden Handle Feature Close-up of a hand holding the ergonomic wooden handle, showing texture, grip, and premium finish. Action: Showcase the handle. Camera: Close-up. Lighting: Natural light. Audio: Voice-over. Scene 5 – Cooking Demonstration The pan is used on an induction stove while cooking colorful vegetables or soup. Steam rises naturally. Action: Everyday cooking demonstration. Camera: Over-the-shoulder. Lighting: Warm kitchen light. Audio: Natural cooking sounds + voice-over. Scene 6 – Easy to Clean Water flows over the pan in a sink, rinsing away food residue effortlessly. Action: Show easy cleaning. Camera: Top-down shot. Lighting: Bright natural light. Audio: Running water + voice-over. Scene 7 – Compatible with All Stoves The underside of the cookware is shown above different stove icons (induction, gas, electric, ceramic), emphasizing compatibility. Action: Display universal compatibility. Camera: Detailed close-up. Lighting: Studio soft light. Audio: Voice-over. Scene 8 – Lifestyle Ending Final beauty shot of the cookware beside its packaging on a wooden countertop with a clean modern kitchen background. Action: Premium product hero ending. Camera: Wide 45° angle. Lighting: Warm natural light. Audio: Soft music + closing voice-over. Style: Ultra-realistic product photography, premium commercial quality, clean composition, modern kitchen aesthetic, luxury cookware branding, minimalist layout, high-end advertising storyboard, sharp details, realistic lighting, 9:16 vertical.

A battle-crazed martial artist with golden eyes, torn sleeveless robe and crackling lightning aura surrounding his fists, rendered in ultra-premium Japanese anime rendering, MAPPA-inspired action choreography, sharp cel shading, dynamic motion smears, impact frame animation - Enters an underground arena where a monstrous champion waits among roaring spectators; - The arena explodes into chaos as both fighters exchange devastating punches, every impact generating visible shockwaves that crack the floor and launch debris into the air; - The martial artist unleashes a final lightning-infused uppercut that sends the giant opponent crashing through the arena ceiling, ending with sunlight pouring into the destroyed arena as the crowd erupts Brutal anime combat, tournament arc energy, insane sakuga payoff.

スタイル:フォトリアル。実写映画。 概要:画像3のクリーチャーが渋谷のスクランブル交差点であばれる、画像1の女性と画像2の女性が共闘して画像3のクリーチャーを日本刀で倒す。 ※血の表現は絶対にしないでください。 ・シーン1 渋谷のスクランブル交差点で建物を破壊する画像3のクリーチャー。 画像3のクリーチャーは身長100メートルほど。 ・シーン2 日本刀を持った画像1の女性と画像2の女性が登場する。 彼女たちは画像3の怪獣の足元から画像3怪獣の頭部まで、怪獣の身体を超高速で一気に駆け上がる。スピード感のあるアクロバティックなアクションシーン。 ・シーン3 カメラが切り替わる。 画像1の女性と画像2の女性が画像3の怪物の頭の上で、お互いの日本刀に炎のパワーと電撃のパワーをそれぞれ溜めて、お互いの顔を見合わせる。 ・シーン4 カメラが切り替わる。 画像1の女性の日本刀からは炎のエフェクトが出ている、画像3のクリーチャーを日本刀で斬りつける。 画像2の女性の日本刀からは電撃のエフェクトが出ている、画像3のクリーチャーを日本刀で斬りつける。 ・シーン5 2人の刀の攻撃で画像3のクリーチャーが倒される。 ・シーン6 画面1の女性と画像2の女性の2人は顔を見合わせるてニヤリと笑う。

A deadly manga heroine with long silver hair, piercing crimson eyes, athletic silhouette, black battle kimono flowing in the wind, rendered in ultra-premium Japanese anime rendering, manga-style visual language, epic anime-inspired sakuga animation, sharp anime linework, high-contrast cel shading, hand-drawn speed lines, explosive impact frames, dynamic motion smears, dramatic facial close-ups, cinematic anime lighting - Stands alone on a shattered temple staircase as dozens of demon warriors charge uphill toward her, camera slowly circling her calm expression before a sudden crash zoom into her eyes; - Explodes forward with impossible speed, slicing through enemies in a blur of steel, bodies launched through pillars, stone stairs shattering beneath each step, epic anime-style impact frames punctuating every strike; - Reaches the giant demon general at the summit and defeats him with a single devastating slash that splits the temple gate behind him, ending with the heroine standing amid falling debris while the remaining demons retreat in terror Epic fantasy anime battle, brutal sword choreography, heroic final payoff.

SCENE CONTEXT A young man carries the sleeping woman into her pink bedroom, lays her down on the bed, covers her with the blanket and switches off the lamp, then sits on the floor at the foot of the bed, rests his head on the mattress edge, and falls asleep there, keeping a respectful distance. ACTIVE REFERENCES <<<image_3>>>: young man, messy light-brown hair, white t-shirt, carrying then floor-sitting posture, tender careful movement. 100% matches the reference. <<<image_1>>>: sleeping young woman, low pigtails, pink hair-roller clip, beige t-shirt with brown long sleeves, pink plaid pajama bottoms, eyes closed, carried then lying tucked in bed. 100% matches the reference. <<<image_2>>>: pink bedroom. 100% matches the reference. Every element and corner is preserved and stays consistent across all shots. LOCATION MAP Pink bedroom, remembered corner by corner from <<<image_2>>> and held identical in every shot: - Wooden door with brass knob and dark wood trim / wardrobe on one side wall. - A large ornate pink-and-white Victorian dollhouse standing on the floor against the wall. - A wide window with sheer white curtains, cool outside light filtering through. - A vanity desk with an upright mirror and a pink desk chair beside the window, a leafy potted plant next to it. - A tall warm floor lamp — the main practical light — near the bed, wall-mounted shelves with small items above it, wood wainscoting along the lower wall. - An ornate white bed frame with pink ruffled bedding and a soft pink pillow, the central anchor of the room. - A woven area rug on a wooden floor, light soft clutter (tissue boxes, papers) scattered naturally. Open floor between the door and the bed is his carrying path; clear floor space at the foot of the bed is where he sits. FIRST FRAME AND SPATIAL BLOCKING The first visible frame matches the attached carry reference exactly: he stands mid-room holding her in a bridal carry, her head resting against his chest and shoulder, eyes closed, pink plaid fabric bundled across his forearms, the white ornate bed and pink bedding soft behind, sheer-curtained window and dollhouse readable in the background. No empty establishing frame. FORMAT MODE Controlled four-shot sequence with HARD CUTs at 3.5s, 7.5s, and 11.0s. Real-time motion, gentle handheld for the carry only. No subtitles, no music. OPTICS Shot 1 (carry): 50° diagonal field of view, standard normal lens character, camera 1.5 to 2 meters, clean medium two-shot holding both faces. Shot 2 (lay down): 56° diagonal field of view, near-normal lens character, camera low at the head of the bed looking down along her body, 1 to 1.3 meters, shallow depth on her settling face. Shot 3 (blanket + lamp): 63° diagonal field of view, slightly-wide lens character, camera 2 meters back at a bedside three-quarter angle, wide enough to hold him, the tucked bed, and the floor lamp in frame. Shot 4 (floor sleep): 63° diagonal field of view, slightly-wide lens character, camera low at the foot of the bed, then a slow crane-up to a high three-quarter looking down the length of the bed. CAMERA Shot 1: gentle handheld follow, slow dolly-in with him toward the bed, subtle vertical bob and weight-shift pulse matching the carry, human motion not digital jitter. Shot 2: separate angle from the head of the bed; slow push-in as he lowers her, settling as her head meets the pillow. Shot 3: static-leaning three-quarter as he draws the blanket up and tucks it, then reaches and clicks off the floor lamp; frame holds through the drop into moody low light, her tucked body still framed. Shot 4: low static at the foot of the bed as he sinks to the floor and lowers his head to the mattress edge, then a smooth crane-up to a high three-quarter — her tucked on the bed, him asleep on the floor below. ACTION TIMING 0.0s to 3.5s: he carries her in a bridal hold, walking slowly toward the bed, her head lolling gently against his chest, pigtail swaying with each step. 3.5s HARD CUT. 3.5s to 7.5s: from the head-of-bed angle he lowers her onto the mattress, her shoulders and head settling into the pillow, hair fanning out, body coming to rest. 7.5s HARD CUT. 7.5s to 11.0s: he draws the pink blanket up over her and tucks the edge along her shoulder with both hands, then reaches to the floor lamp and switches it off; the warm glow dies and the room falls to cool moody window light — she lies exactly as he left her, tucked and unmoved. 11.0s HARD CUT. 11.0s to 15.0s: in the dim room he lowers himself to sit on the floor at the foot of the bed, rests his head sideways on the mattress edge near her feet, settles, breathing slows, and he closes his eyes and falls asleep there — not on the bed, a clear respectful distance kept. PHYSICS Her body carries real dead-weight during the carry — limbs sag, head lolls, pigtail swings freely. As he lowers her, pillow and mattress compress under her head and shoulders, hair sliding and resettling; the pink blanket drapes and folds naturally as it is pulled up and tucked. His footsteps are grounded heel-to-toe with real weight transfer. As he sinks to the floor his weight settles, one arm resting on the mattress, head lowering onto the edge which dips slightly; his eyelids close with a soft final settle. LIGHTING Cinematic low-key interior, moody and restrained, never bright or flat. Primary motivation: the warm floor lamp and a low bedside practical, casting soft warm pools with gentle falloff into deep but detailed shadow, cool bluish light from the sheer-curtained window balancing the warmth for filmic warm-cool contrast. Naturalistic film texture, soft grain, gentle highlight rolloff, faces modeled and readable within the low light, not lit up. Shots 1–3 carry the warm lamp motivation. At the lamp switch (shot 3) the room drops to cool low-key window moonlight — atmospheric, shadows deep, her tucked form and his movement still clearly readable, never a crushed black frame. Shot 4 stays in this cool moody light, his sitting, head-lowering, and closing eyes visible, the bed and floor softly modeled by the window. AUDIO Shot 1: soft footsteps, faint effort breath under her weight, a quiet sleepy sigh from her. Shot 2: soft mattress and pillow settle as she comes to rest. Shot 3: gentle blanket rustle as he tucks her in, a quiet lamp-switch click, room tone shifting. Shot 4: a soft floor settle and faint cloth rustle as he sits and lowers his head, then quiet steady breathing from both. No dialogue, no music, no subtitles. POSITIVE LOCKS First frame matches the attached carry reference exactly. Man matches <<<image_3>>> exactly, woman matches <<<image_1>>> exactly. The bedroom matches <<<image_2>>> exactly and every listed corner — door and wood trim, ornate dollhouse, sheer-curtained window, vanity with mirror and pink chair, floor lamp, shelves, ornate white bed with pink ruffled bedding, woven rug — stays present and consistent across all four shots, with no new or missing furniture. Carrying and laying her down are two separate shots with different angles. Lighting stays cinematic and dim, motivated by the practical lamps, never bright or flat. When the lamp is switched off she remains tucked in the exact pose he left her, unmoved. He does not lie on the bed: he sleeps sitting on the floor at the foot of the bed with his head on the mattress edge, a clear respectful gap kept.

Create a realistic 15-second vertical (9:16) handheld smartphone vlog . The video begins outside a modern supermarket in bright daylight. She holds the phone in selfie mode, smiles, and says, "Come grocery shopping with me!" She walks inside while pushing a shopping cart, naturally filming herself. She picks fresh strawberries, bananas, vegetables, milk, bread, cereal, and snacks, occasionally turning the camera to show what's going into the cart. Include close-up shots of products, authentic aisle lighting, and realistic interactions with the environment. She laughs after finding her favorite snack, then films herself using the self-checkout. The final scene shows her walking out of the supermarket carrying grocery bags and an iced coffee, smiling at the camera and saying, "Shopping done! See you in my next vlog!" Ultra-realistic, cinematic smartphone footage, natural facial expressions, smooth handheld camera movement, realistic lighting, 4K quality, shallow depth of field, no AI artifacts, lifestyle influencer aesthetic.

FPV shot: The camera flies through an enormous field of dandelions at sunrise. A powerful gust lifts millions of seeds into the atmosphere. The seeds swirl into a gigantic airborne vortex surrounding the lens, synchronizing perfectly into "MORNING" before exploding across the landscape like a living galaxy. Magical, organic, viral-worthy visuals.

Main Subject: Young Korean woman, early 20s, oversized t-shirt and shorts, hair in a high messy bun, barefoot on rooftop tiles, cheerful domestic energy. Location: Apartment rooftop clothesline area, sunny midday. Clotheslines with hanging sheets, water tanks, potted herbs in small pots, city rooftops visible in distance. No people in background. Visual Style: Bright realistic domestic documentary tone, breezy and cheerful, strong natural sunlight. Camera Style: Early 2000s handycam, handheld with light natural shake, exposure pumping between shaded and sunny areas, soft grain. No stabilization. Timeline (15 sec, each slot = 2 compressed beats): 00:00–00:03 → She hangs a wet sheet on the line, then smooths out the wrinkles. 00:03–00:06 → She turns to camera saying "오늘 날씨 완전 빨래하기 좋다" ("The weather today is perfect for laundry"), smiling. 00:06–00:09 → She waters a small herb pot nearby, then wipes her hands on her shorts. 00:09–00:12 → A breeze catches the sheets; she laughs, stepping back to watch them billow. 00:12–00:15 → She looks at camera saying "다 끝났다, 이제 쉬어야지" ("All done, now I should rest"), then walks toward the rooftop door as it fades. Audio: Fabric flapping in wind, distant city hum, footsteps on rooftop tiles, faint birds. Her dialogue as noted above. No music. Goal: A cheerful, breezy domestic rooftop moment warm, everyday, real.

Main Subject: Young Japanese woman, early 20s, effortless natural beauty, warm genuine smile, sun-kissed realistic skin texture, minimal makeup, relaxed and friendly personality. Wearing a washed sand-beige oversized linen shirt worn open over a muted seafoam ribbed tank top, loose ivory drawstring linen pants with rolled cuffs, cream canvas sneakers carried in one hand while walking barefoot on the sand, delicate gold necklace, small silver hoop earrings, black straight hair tied in a loose low ponytail with soft face-framing strands. Maintain identical identity, clothing, hairstyle, facial features, and appearance consistently throughout the entire video. Location: Quiet Japanese coastline during a peaceful late afternoon in summer. Wide sandy beach, gentle Pacific waves, weathered concrete seawall, driftwood scattered naturally, distant fishing boats, rocky shoreline, native coastal grasses moving in the wind, a small lifeguard tower in the distance, clear horizon, soft sea breeze. No crowds, no beach bars, no umbrellas, no advertisements, no commercial activity, no staged scenery. Authentic local atmosphere. Visual Style: Ultra-realistic observational documentary. Genuine slice-of-life moments. Completely candid behavior. Natural body language. Rich environmental details. Everyday realism. Warm emotional authenticity. Contemporary 2026 color science with soft natural contrast, realistic skin tones, gentle highlight roll-off, subtle pastel coastal palette, slightly airy exposure, faithful HDR lighting, no stylized filters. Camera Style: Modern compact mirrorless camera recording handheld by a close friend. Natural handheld movement with slight micro-shake. Occasional focus breathing. Face detection occasionally misses focus. Small framing imperfections. Gentle rolling shutter during quick movement. Realistic autofocus transitions. Natural lens characteristics. No cinematic gimbal shots. No dramatic drone footage. No excessive slow motion. No artificial camera moves. Feels like an authentic personal vacation recording from 2026. --- 00:00–00:02 She walks barefoot near the shoreline carrying her sneakers, letting small waves wash over her feet. Wind gently lifts loose strands of hair. She laughs quietly while looking toward the ocean as autofocus briefly searches. 00:02–00:04 She notices several small seashells and crouches to examine them. The camera arrives slightly late and reframes awkwardly while trying to keep her centered. Gentle surf fills the background. 00:04–00:06 She picks up an interesting shell, smiles naturally, then places it back into the sand. A stronger breeze moves her oversized shirt. Sunlight sparkles across the water behind her. 00:06–00:08 She walks along the seawall sipping iced tea from a clear reusable bottle. A cyclist passes in the distant background. The camera briefly overexposes as it pans toward the bright ocean before correcting itself. 00:08–00:10 She sits on a large piece of driftwood watching waves roll in. She absentmindedly brushes hair behind her ear while listening to seabirds. Loose handheld side angle slowly drifts without deliberate composition. 00:10–00:12 Close three-quarter profile. Someone behind the camera jokes with her. She turns unexpectedly, smiles with genuine amusement, softly laughs, and casually says, "Kirei da ne." ("It's beautiful, isn't it?") The camera catches her reaction a moment too late. 00:12–00:15 She continues walking slowly along the water's edge, occasionally glancing toward the camera before returning her attention to the horizon. Small waves reach her feet. The recording ends abruptly mid-step as if the camera operator accidentally stopped recording. Audio: Natural location sound only — gentle ocean waves, distant seabirds, soft coastal wind, footsteps in wet sand, occasional fishing boat engine far offshore, fabric moving in the breeze, subtle water splashes, quiet conversation from far away...

A cozy Studio Ghibli-style anime kitchen where a person slices a tomato, fries two sunny-side-up eggs, places them on toast with tomato slices, and serves the breakfast beside a steaming cup of tea in warm golden morning sunlight, with cinematic lighting, smooth animation, and a peaceful, rustic atmosphere.